bob dylan
In 1974, Bob Dylan rounded up a long tour with The Band, divorced Sara and sat down writing songs that after several touch-ups became the album "Blood on the Tracks", returning to Columbia after 2 albums with Asylum. It was meant to be released for Xmas '74, but was delayed because he cut half the playlist over again, and produced it himself - in Minneapolis, while the first takes were made in New York, produced by Phil Ramone. Dispite this, the result had a consistence no other Dylan album ever had. It got a mixed reception, from "Masterpiece" to "What the f...", but as the years have gone by, the first characterization has won. Myself, I put this album on top off ALL I've heard from him.
Dylan himself denies that the lyrics are autobiographic, but I don't trust that guy. He's always been vague.
The album is entirely written and recorded in D open tuning, influenced by Irish folk musician Paul Brady. Playing nylon string, this tuning trick sounds disgusting, thus my humble transition and conversion. Play it medley with "You're Gonna Make Me Lonesome When You Go" : these are among the best love songs ever written.
twas in another lifetime • one of toil and blood
when blackness was a virtue and the road was full of mud
I came in from the wilderness a creature void of form
«come in» she said «I'll give you shelter from the storm»
and if I pass this way again you can rest assured
I've always done my best for her • on that I give you my word
in a world of steel eyed death and men who are fighting to be warm
«come in» she said «I'll give you shelter from the storm»
no word was spoken between us • there was little risk involved
everything up to that date had been left unresolved
try imagening a place where it's always safe and warm
«come in» she said «I'll give you shelter from the storm»
I was burned out from exhaustion • buried in the hail
poisoned in the bushes and blown out on the trail
hunted like a crocodile • ravaged in the corn
«come in» she said «I'll give you shelter from the storm»
suddenly I turned around and she was standing there
with silver bracelets on her wrists and flowers in her hair
she walked up to me so gracefully and took my crown of thorns
«come in» she said «I'll give you shelter from the storm»
now there's a wall between us • something that's been lost
I took too much for granted and I got my signals crossed
just to think that it all began on that long forgotten morn
«come in» she said «I'll give you shelter from the storm»
well the deputy walks on hard nails and the preacher rides a mount
but nothing really matters much • it's doom alone that counts
and the one eyed undertaker he blows his futile horn
«come in» she said «I'll give you shelter from the storm»
I've heard new born babies wailing like the morning dove
and old men with broken teeth stranded without love
do I understand your question man : it's hopeless and forlorn
«come in» she said «I'll give you shelter from the storm»
in a little hilltop village they gambled for my clothes
I bargained for salvation and they gave me a lethal dose
I offered up my innocence and got repaid with scorn
«come in» she said «I'll give you shelter from the storm»
well I'm living in a foreign country but I'm bound to cross the line
beauty walks a razor's edge • someday I'll make it mine
if I only could turn back the clock to when god and her were born
«come in» she said «I'll give you shelter from the storm»
For the following CHORD section, fullscreen/horizontal mobile is recommended.
Chords in brackets may be omitted.
G Gmaj7 C G twas in another lifetime one of toil and blood Bm C D7sus4 when blackness was a virtue and the road was full of mud G Gmaj7 C D7sus4 I came in from the wilderness a creature void of form G Bm C Cmaj7 G come in" she said I'll give you shelter from the storm
